Puddle Printing

Suminagashi is the beautiful Japanese artform of floating inks on a bath of water to create a monoprint. This is normally done in the studio, but whenever possible I love to work in the wild – the great outdoors. The process involves using an ink stick which I grind onto an inkstone with a little water, moving it in a circular motion until I reach the right consistency of ink.

With the brush inked (and with minimal movement) I dip the tip of brush horizontally onto the surface of the water to create concentric circles. Various patterns and shapes – swishes and swirls reminiscent of the knots, grain and ring forms of trees, or the contours of maps and mountain ranges – are created by the breeze. It is a really wonderful process, something quite magical and serendipitous.

You never really know what kind of a print you will make, it is very dependent on the conditions; a sudden breeze, the movement of a dog or just your own breathing can affect the image, changing it in some way. It’s exciting knowing that just as every snowflake is different, so, too, is every print. No matter how many I produce no two will be the same; each one will be unique and special in some way. The prints are used in a number of ways – for book covers, endpapers, framed original prints or wrapping paper – depending on the purpose and the type of paper used. If you love playing with inks and hearing the soothing sound of water you will love this aqueous surface design printing method.”
– Pippa
Learn more about my Marbling & Suminagashi courses here…














In September 2018 Forest of Imagination took root in the heart of Bath.















No misnomer – making this picturebook has been mission impossible!
Early in the process we all went to the school hall and marked out a circular route on the floor using masking tape to represent the tracks. This was punctuated by large areas of paper, a separate zone for each themed world on the ride, where the children could sketch out their wild ideas. They were encouraged to write descriptive words next to their characters that could form the basis of the text. The result was a neatly circular story structure, with all the disparate ideas linked by the same main characters journeying through them along the rollercoaster rails.


Perhaps we should have called this book “Outta Space” because that’s what it is all about!
Children also spent time roleplaying scenarios aboard the spaceship and back on Earth, using mini whiteboards and markers to make their own speech bubbles and dialogue. This story would have a journey/return structure, a knowing narrator voice, and plenty of quips between the main characters: Astrogirl, Astroboy, Astrodog & the Queen, of course!




The class wanted their book to convey a clear message about how to deal with life’s challenges – even if you are only quite little. This lent itself to a rhyming story with a powerful and memorable repeat refrain expressing the determination of the main character, The Littlest Monster, not to give up. I worked with the children to brainstorm descriptive words for each character and setting that we could then group into rhyming pairs and use within our story text.


To gain inspiration we set up stations around the classroom where the children could try out some monstrously messy activities, such as squishing dough, crunching pasta, and mucking about with goo. This serious research helped us to come up with some truly truly authentic monster words which then went into the mix – along with a dash of rhythm and rhyme, and a little twist to finish – to produce our story text.
In this exciting new project I’m collaborating with four KS1 classes 